BijutsuTechointernationalversionaimsatintroducingartandculturewithafocusuponcontemporaryart,withadistinctscopeofthethirdeyethatisnotofEuropeorUS,butofAsiaandJapan.ThisspringissueispublishedinMarchof2015,agoodtimingwiththespecialeventArtBaseloftheArtworldinHongKong.Itsmorethan100pagesfeaturestory-100ContemporaryArtistsofOurTimeintroduces100artistsacrosstheglobe,helpingreadertogetaglimpseofthemodernartscene.Thesearticlesarewrittenbywell-knownartcritics,curatorsandreporterswhoareactiveartparticipatorsinternational-wise,providingreaderswithbasicknowledgeandexplanationofeachartistandtheirartworks.Thesearticlesaresupplementedbyillustrativephotographsandartist’sprofile,makingthemasinformativeandreader-friendlyaspossible.
Otherthanthefeaturestory,othercontentincludeLeeKit’s‘papershow’andofTakashiMurakami’s‘Artistbook’.TheformerisapaperexhibitioncuratedbyLeekit,whereasthelaterstudiestheauctionhistoriesofthisJapanesefamousartistwhoseworkssellbilliondollars.Incolumn‘LOOKBACK’,readerswillfindaretrospectofalltheimportantarteventsin2014inthedisguiseofatabloid,writtenwithhumorandwit.BTIteamhasalsodoneanindepthinterviewwithDIS,aNewYorkbasedcreativeteam,whosharedtheircrazyideasandthoughtsbehindtheircreation.
TomakethisBTImorelocalized,thisissueconsistsinterviewswithtwoimportantHongKongcollectorsWilliamLimandAlanLau.Itshowcasestheircollectionaswellastheirstrategyincollectingartwork.
BijutsuTechointernationalattemptstogeneratediscussiononarttopicsfrom
differenttrajectoriesbyreportingthemostup-to-dateartnewsanddiggingoutthecorrelationbetweenartandcityinthemoderntimes.
